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Posts tonen met het label essay. Alle posts tonen
Posts tonen met het label essay. Alle posts tonen

zondag 3 maart 2013

The Social Ties That Unbind - An Xiao

Who Shall I Be Today? (via keboch.wordpress.com)
Using social media in an unbounded way has served many artists well. Take, for instance, the story of Ma Yongfeng. A Beijing-based artist known for his conceptual works, he maintains a variety of online personas depending on the type of piece he is producing. His most well known is Forget Art, a collective of artists playing with redefining public art and public space. But he’s also adopted the persona of the Youth Apartment Exchange Program, a Weibo-based social media art practice, not to mention his own online persona as Ma Yongfeng, the artist. Each identity reveals a facet of him without tying him down to a specific practice.

Closer to home are examples like Jayson Musson, who uses the online persona Hennessy Youngman to full effect. While Musson is relatively quiet and unassuming, his brash, online alter ego allows him to mock the art world in his popular Art Thoughtz series. Everyone is in on the ruse, but if YouTube required that even online personas be tied to one’s real name, it’s hard to imagine Musson achieving the same kind of effect. Much as artists have used pseudonyms to enable a wider variety of creative expression, Musson has embraced a more unbounded use of artist names online.

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woensdag 4 april 2012

Why We Love Sociopaths

My greatest regret is that I’m not a sociopath. I suspect I’m not alone. I have written before that we live in the age of awkwardness, but This text excerpted from Adam Kotsko’s Why We Love Sociopaths: A Guide To Late Capitalist Television, now available from Zero BooksThe New Inquiry Magazine, No. 3, Arguing the Web. a strong case could be made that we live in the age of the sociopath. They are dominant figures on television, for example, and within essentially every television genre. Cartoon shows have been fascinated by sociopathic fathers (with varying degrees of sanity) ever since the writers of The Simpsons realized that Homer was a better central character than Bart. Showing that cartoon children are capable of radical evil as well, Eric Cartman of South Park has been spouting racial invective and hatching evil plots for well over a decade at this point. On the other end of the spectrum, the flagships of high-brow cable drama have almost all been sociopaths of varying stripes: the mafioso Tony Soprano of The Sopranos, the gangsters Stringer Bell and Marlo of The Wire, the seductive imposter Don Draper of Mad Men, and even the serial-killer title character of Dexter. NICE READ

dinsdag 3 april 2012

An Essay on the New Aesthetic by Bruce Sterling

I witnessed the New Aesthetic panel at South by Southwest 2012. It was a significant event and a good thing to see.

If you know nothing of the “New Aesthetic,” or if you have no idea what “SXSW” is, you should repair your ignorance right away. Go peruse this:

http://booktwo.org/notebook/sxaesthetic/

READ Mr. STERLING FURTHER

dinsdag 17 januari 2012

our weirdness is free

by Gabriella Coleman

The logic of Anonymous—online army, agent of chaos, and seeker of justice.HERE