When one of the world’s richest living artists orders you to stop making art, you do it. Or do you? That is what Chuck Close has done to me. In response, I have developed a 100-year plan that will allow my digital art to outlive any threats of legal action.
I started working on my Chuck Close Filter in September of 2001. The idea came to me the month prior, when I flew to Los Angeles for the Adobe Design Achievement Awards. The creators of Photoshop gave me first place in the Creative Illustration category for my “Barcode Jesus” portrait. I felt that my creative efforts had finally been validated, even though most people still considered computer art to be a lesser medium. One person in particular, an artist whom I really admired, seemed to have a big problem with computers as vehicles for art. He referred to them as “labor-saving devices.” This was Chuck Close.
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