The Image Object Post-Photoshop

In the Post-Internet climate, it is assumed that the work of art lies equally in the version of the object one would encounter at a gallery or museum, the images and other representations disseminated through the Internet and print publications, bootleg images of the object or its representations, and variations on any of these as edited and recontextualized by any other author. […] For objects after the Internet there can be no “original copy.”^{[ Vierkant, Artie. The Image Object Post-Internet, 2010. ]}
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